Key West is a crazy place, but how do you capture the essence of the insanity? Through a plastic lens and some crazy film, of course.
The view while floating on my back in the pool where we were staying. I miss that palm tree. Shot with Holga on Kodak Tmax 400iso.
Our favorite coffee shop in KW
While I was in Key West I did a little experimentation with double and long exposures, as well as with Revolog’s Tesla II and Rasp films. My results were trippy, mind-warping goodness. These toy camera shots not only show you the sights, they really capture the essence of Key West.
I own two Holgas and they each take very different pictures. The Holga I brought to KW was my zebra-striped special, which has a lens that fuzzes out a lot of the periphery of my pictures. Look at the first picture in this post, the palm tree. You can see the softness all along the borders of the photo, giving it a very dreamy quality. Floating beneath that tree in the pool, enjoying the cool water, was very relaxing and tranquil, a mood that is captured perfectly in this Holga picture.
Let’s start our tripped-out tour of Key West with some black and white Holga shots from my brother’s wedding.
It was a beautiful, sunny day and it was HOT! The sultry air made everyone feel a little lazy. Add some beer and tequila to the mix and the world became a little soft and fuzzy. The Holga plus black and white film brings that mood to these pictures.
I really love using the Holga for long-exposure shots at weddings because it captures the energy of the day, as it does in the long exposure shots of my brother Jim and his wife April, as they cut their cake.
The two shots at the railing by the water are especially sweet. They show Lexi, April’s daughter (and my new niece) gazing out at the sea, one with a friend Shane and the other, all by herself. Check out the clouds…all zoomy and funny looking at the edges.
Next, we’ll move onto some shots made trippy by the film I used. You’ve seen a couple of these shots before, but bear with me. The first two are taken on Revolog Tesla II and show April and Jimmy with lightning bolts.
It’s great when the random special effects on this film show up in just the right areas. Next, a couple taken on Revolog Rasp. The first is very underexposed, the second is just phenomenal.
The textures of Rasp add a funkiness to these shots that I just love.
Back to shots from my Holga, which has a tendency to wind film in a wonky manner, causing some overlapping. First, you’ll see the two pictures separately, then all together.
We’ll finish up with some of the weirdest shots on the roll. I tried for some intentional double exposures, which turned out okay, but when the film was exposed to light as I unloaded it from the camera, these shots became magic.
The background is of a fence with a sign that reads “No Parking Unless Snow Depth Exceeds 2 inches”
Long exposure of a British phone booth in someone’s backyard
Sailing off into the great unknown
as my husband put it, “sailing through tide and times”
Toy cameras are the perfect medium for a funky place like Key West. I will never go anywhere eclectic without my Holga and some film. I do love the iPhone photos I took, but once again, film gave my pictures a depth and character that I couldn’t have achieved otherwise. Thanks for virtual tripping with me 😉