Category Archives: I love this film!

Is That a Light Saber or Revolog Lazer?

One of the staples of the Structure line of handmade films from Revolog, Lazer will give your pictures a touch of science fiction fabulosity, as if Darth Vader and Luke Skywalker were staging a light saber duel inside your camera. Dazzling green lines appear randomly throughout your roll of film. The effect is more subtle in over exposed shots and brighter in properly and under exposed frames.

Here’s the Lazer effect on an accidentally taken-in-my-photo-bag shot. I never intend to do this, but it’s fun to see the effects in their naked form (so to speak).

One of the first shots on this roll of film is also one of my favorites. Not only did I get a little light leaking, but I got a great green line. This roll was taken in my Smena 8.

I love the look of Lazer in my shots without people.

It’s not as nice through someone’s face, but it’s still interesting.

The first shots on this roll were taken at Playland, the amusement park on the Rehoboth Beach boardwalk. It’s one of my favorite places to take photos because it’s just so loud and colorful and crazy.

In this double exposure shot you can see a faint light green line on the right side.

This long exposure carousel shot also shows the green line on the right side of the photo.

Overall, I’m digging Lazer, although for shots of people, I’d prefer another roll of Revolog film, like Tesla or Volvox. With Lazer, you can go for an overall ironic look to your photographs, like taking shots of a Civil War Re-enactment with Lazer. Better yet would be to take pictures of a sword fight at a Renaissance Festival with Lazer. Now that would be something!

Yes, that’s a bacon-wrapped beer bottle on the cover of that magazine


Taste the Rainbow with Revolog Kolor

Revolog’s Kolor film adds rainbow hues to your pictures, giving them an extra dimension of beauty.

I love how the color shading turns an otherwise hum-drum picture into a thing of beauty. Kolor comes in 36 exposure rolls (love!!). Each frame’s coloring will be slightly different with hues in all shades of the rainbow. These shots, taken at a minor league baseball game, just happened to be shaded green, which really accentuated the color of the seats and field.

Unfortunately, Rite Aid didn’t do a very good job with this film. There were tiny little dots all over the negatives. At first, I thought my scanner was just incredibly dusty, but I think it’s little droplets of residue.

According to their website, the color shading will be more intense in areas of under exposure, making this the perfect film for toy cameras or any other fixed-aperture camera in which under exposure can be easily achieved.

This roll was taken in my Olympus XA4, so I had full control of aperture and shutter speed. Next time, it’s going into my Vivtar UWS or La Sardina.

Once again, I’m thrilled with Revolog’s handmade films. They may be expensive, but they’re worth it. Turning drab memories into a technicolor dream, Kolor can make your film look like it was taken in a leaky camera or cross-processed, all on the same roll. What other tool in your analogue arsenal can claim that statement?

Throwing Lighting with Revolog Tesla 2

I love what I have to share with you today because not only are these pictures from Key West, but they’re on Revolog’s Tesla 2 film. I love Revolog’s films because they add another layer of unpredictability to my photos, creating a little surprise in each frame. This was my first time using Tesla 2 and it’s my new favorite Revolog film, for sure.

With Tesla 2, reddish lighting bolts appear in random places within your picture, kind of like this.

How fun is that? You can channel your inner wizard/mad scientist, like my brother did in this picture.

I used my Lomography La Sardina for this roll, which in retrospect may not have been the best camera for the job. The focus is SO touchy! If you’re not in exactly the right place, your pictures will be fuzzy, and not in a good way. I brought this camera because of the bulb setting and ability to make multiple exposures but I think my Vivitar UWS would have been a better choice. With it’s fixed focus, I wouldn’t have had the problems I did with the La Sardina.

I’m not sure what the trick to getting bright lighting bolts to appear is, but I’m willing to spend more money and play around with the Tesla 2 to figure it out. Here’s what the film looks like when the picture is black. I’m unsure of what happened to this frame. Possibly, the shutter was tripped accidentally in my bag?

I love it!! Freaky cool, isn’t it?

It seems to me the more underexposed the picture is, the better the lightning shows up. More lighting also shows up in the darker places of each photo.

In these pictures, which are exposed properly or don’t have many dark places, it’s tougher to see the lightning.

These two pictures were long exposures. Much like the properly exposed film, the lighting effects are more subtle.

Because Hannah and Michael, the creators of Revolog film, produce each roll by hand, the effects are totally random, so there’s no full-proof way of framing your shot to maximize each film’s characteristic. To me, that’s the fun part of it all.

Once again, Revolog has wowed me. I love the subtle effects of Tesla 2. Because I was taking pictures of an already beautiful place, the lightning didn’t detract from my subjects. Instead, my pictures received a little injection of humor and surprise. I only wish it came in frames with 36 rolls instead of just 12 🙂

Ilford’s 3200 speed B&W film + Fuji Natura Classica = magic!

Yes, it’s another Fuji Natura Classica post, but this one is a little different. Here are the results from the 3200 iso Ilford film, which a friend of mine told me really acts more like 1600 iso film. This is the first time I’ve used this film (I never really had a reason to use it before) and I’m very pleased with the results. Overall, the high-speed black and white film photos are much nicer than the color photos I took using 1600 iso film.

For one thing, the contrast is phenomenal.

This tree picture looks almost like an HD digital picture! I also love the way the pine needles were captured on the floor of the woods.

The weather was overcast on the day I took these shots, but it wasn’t much of a challenge for this film and camera combo.

I also took some photos at the beach at dusk.

See the lights in the background?

 The following pictures were taken at a restaurant. I wanted to see just how low I could go with the lighting.


Finally, I took some pictures of my favorite, rusty road sign.

 The Natura Classica plus Ilford 3200 iso film is a winning combination! I usually develop my own black and white film, but I sent this roll out to be developed by someone (or something) that can load the film onto a spool without screwing it up. I still haven’t quite mastered that skill, but because I plan on buying many more rolls of this film, I guess I’ll get more opportunities to practice.

Revolog Film Has Won My Heart

It’s official: I am full-on in love with Revolog’s line of hand-crafted 35mm film. A couple of weeks ago I posted a review for Revolog’s Texture film, my introduction to their line of color-washed and textured film. I’ve since ordered two varieties, Rasp and Volvox, and run them through my Olympus XA4. My pictures were everything I hoped they’d be and more.



Rasp film has little scratches all over it. I don’t know what sort of instrument is used to scratch the film but it must be some sort of tiny, fine-pointed, Barbie-sized steak knife. The effect is very nice and not too overwhelming.

It doesn’t appear that Rasp’s characteristic scratches are enhanced by more light, in fact, I’m not really sure what enhances them. Reviewing my pictures, it seems the scratches stand out more in a solid background. Light or dark, I’m not sure the color really matters. Then again, maybe the depth of the scratches on the film is the x-factor. I’ll have to conduct more experiments to say for sure.

Volvox’s green circles turn your photos into crazy, dotted fun. I really liked the resulting dots on my Volvox roll as the orbs were multi-sized, asymmetrical, transparent and totally unpredictable.

I love how the orb effects range from bubbly to smudgy. This is a very fun film!

Revolog’s films aren’t for everyday use, but given the right situation the scratches and dots can add a little extra pop to your analogue art. I’m thinking of using Volvox to capture all the Halloween weirdness in my house. Those green dots look a lot like ghostly orbs and the ghoulish green color will look cool and creepy!

Toy Cameras Get Special Powers with Revolog Texture Film

What do rusty pipes, peeling and blistering paint and scratched metal all have in common? They’re subjects I love to photograph because of their texture. If you are also a texture freak, you’ll love the Revolog line of films, created by Michael Krebs and Hanna Pribitzer.

Their website describes their unique films as follows:

“Revolog produces special effect films for analog photographic cameras. Every film is handmade. Currently Revolog sells eight different effect films, but is planning to ongoingly enlarge their stock.The films are sold through the webshop and can be exposed and developed as usual.”

Effects like bubbles, floating green dots; scratches, lightning bursts, lasers and crazy color washes provide an added layer of texture to your pictures. Because they are made by hand, film effects are totally random so, are you going to get a lightning bolt through the middle of your subject’s head or will it be in the sky where it belongs?

Since it isn’t slide film, Revolog can be developed at your local one-hour photo-processing place. I gave my friendly photo technician a heads up before he developed the first roll of film because I didn’t want him to think he’d messed it up. He thought it was one of the neatest things he’d ever seen.

My best results with Texture have come when the film is not overexposed. I achieved maximum bubble-tude in the areas of my pictures that were darker, as you can see from these examples.

It would also be a great film to use in a full-frame exposure camera, like the Sprocket Rocket or the Spinner 360 because the texture is everywhere, not just confined to the frame. I haven’t tried the film in any of these cameras yet, but here’s what Texture looks like fully exposed

The first rolls of Revolog were only 12 exposures but since they have found a new film distributor Rasp, Volvox, Lazer, 460nm, 600nm and Kolor films will be available in 36 exposure rolls through their webshop.

I’ve shot two rolls of Texture film (iso 200) and I can safely say that I’m hooked. I love that Krebs and Pribitzer are flying in the face of megapixels and creating new film for us analogue aficionados. You can never have enough light leak or texture going on in your photos. Can you imagine using one of these fantastic films in a leaky camera? It would be pure abstract genuis. In my opinion, Revolog can increase your toy camera’s power by giving you MORE unpredictability, color and texture. What’s not to love?

Slide Film Wars

It’s been awhile since I’ve written about or reviewed new film but while scanning my latest vacation pictures, I made an interesting observation worth blogging about.

I love slide film because of it’s saturated colors and cross-processing ability. The only type I’m really partial to is Fuji Velvia because it’s so much fun to cross process and see the world through rose-colored glasses

For negative color film Fuji is by far my preferred film as well. I love Porta and the rich, but not too saturated, natural tones is gives. Plus, there’s a nice greenish/bluish tone to it that I prefer over Kodak’s orangish/reddish cast.

Here are some good Portra examples

I’ve realized, however, that I now have a NEW preferred slide film and that is Agfa CT Presica. While scanning my shots the difference between Fuji and Agfa was very clear. The blues were bluer, reds were truer and the overall color a much more accurate representation of what I actually saw with my eyes.

This is Fuji

This is Agfa

You can really see the difference. Now, was my Fuji film expired? Possibly. I don’t even keep track of that stuff. But the camera was the same and the lighting was comparable. Here’s another example

Fuji Film


Those last two are among my favorite images from the trip and, again, were taken with the same camera (Vivitar UWS). The lighting was more harsh in the palm tree shot since I was looking up but I think the difference is still pretty clear.

The great debate over which film is best will certainly continue. I’m going to get some Agfa and Fuji (unexpired) and put them through some tests in the coming month. Hopefully the results will yield a clear winner…we’ll see!

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