Here are the results of my Yashica macro experimentation. Most of these are a little underexposed because I forgot that you need more light when using the diopter. I was also using 100 speed Fuji Velvia, not the best in terms of film speed, but you can’t beat the wacked-out colors.
I took a stroll in my yard to capture these images. I held a +10 diopter in front of the top lens when composing the shot, then moved it to the lower lens to take the picture. Shutter speed was at 125 and the light was bright and beautiful.
The picture of my daughter Zoe is a double. I tried to capture a macro shot of some pink flowers as one of the layers of that shot, but it just ended up overexposed. Oh well. It’s still a great shot of my girl.
I really love the third shot of the pink tulip. The light was really nice and the composition was good, too. It’s a kind of crap-shoot when you use this technique, especially when the wind kicks up and starts blowing everything around. Once the lens is moved from the top to the bottom, there’s no way of knowing what the shot will look like. I just hold my breath, press the button and hope for the best.
While not a particularly inspiring shot, the next picture of little pink flowers on a tree branch is nice for the little pentagons of light that appear in the middle left and bottom right areas of the frame. My favorite is probably the last one, the dandelion. Other than being a little dark, it’s just what I hoped it would be!
Has anyone else used a similar technique? Any recommendations for Yashica filters? I’m going to try some color IR film soon and need to figure out a way to affix a filter to the lenses. I’m thinking that holding the filter in front of the lens may be the easiest way, but any suggestions would be appreciated.
Yes, it’s another Fuji Natura Classica post, but this one is a little different. Here are the results from the 3200 iso Ilford film, which a friend of mine told me really acts more like 1600 iso film. This is the first time I’ve used this film (I never really had a reason to use it before) and I’m very pleased with the results. Overall, the high-speed black and white film photos are much nicer than the color photos I took using 1600 iso film.
For one thing, the contrast is phenomenal.
This tree picture looks almost like an HD digital picture! I also love the way the pine needles were captured on the floor of the woods.
The weather was overcast on the day I took these shots, but it wasn’t much of a challenge for this film and camera combo.
I also took some photos at the beach at dusk.
See the lights in the background?
The following pictures were taken at a restaurant. I wanted to see just how low I could go with the lighting.
Finally, I took some pictures of my favorite, rusty road sign.
The Natura Classica plus Ilford 3200 iso film is a winning combination! I usually develop my own black and white film, but I sent this roll out to be developed by someone (or something) that can load the film onto a spool without screwing it up. I still haven’t quite mastered that skill, but because I plan on buying many more rolls of this film, I guess I’ll get more opportunities to practice.
I am solidly in love with my new Yashica 635. This TLR beauty, made in 1958, is actually a dual-format camera TLR. A film adapter kit was made to work with these cameras so you could use 35mm film in addition to 120 medium format film. Mine didn’t come with one, but that’s quite alright with me.
I’ve been wanting one of these cameras for a very long time and it was worth the wait. For my first roll, I took it on a walk in the woods on a foggy day. I got some nice, moody shots that were taken on Ilford XP-2 iso 400…it’s a C-41 processed B & W film.
Looking through the viewfinder was a little challenging. The image was pretty dark (that may have been the product of the diffused lighting that day) but otherwise, I have no complaints. I’m going to try some macro shots of tulips and flowers today using my diopters.
I would HIGHLY recommend this camera for your vintage collection! If you can get your hands on one, it’s worth the money.